Showing posts with label sketchbook. Show all posts
Showing posts with label sketchbook. Show all posts

Monday, December 31, 2018

Perhaps, perhaps, perhaps

Holding thumbs this works out - a video of some sketches from 2018 in my Seawhite-of-Brighton big black sketchbook. Thanks to my techier husband Bruce for adding the soundtrack... Perhaps I could have sketched more... perhaps the next one will be better... perhaps I'll take my sketchbook out today... I'm always glad when I did, and regretful I didn't do so more often. 


Here we're fastening seat belts for a rough ride in 2019, with elections coming up, all parties and factions at each other's throats, and much damage to be repaired - I'm really hoping it won't be as tumultuous as I fear. To you, all my sketching, painting, drawing, blogging, following friends, wishing you a very happy, peaceful and productive New Year.

Tuesday, May 15, 2018

Thatchers at Work


As I have mentioned, we are in a long slow process of moving to the Western Cape, where we'll be so lucky as to be living and working on an exquisite farm in Franschhoek. Old farm dwellings have been beautifully remodelled, as well as some new ones built, as guest cottages.
The original French Hugenot farmhouse and outbuildings are now in the process of being restored according to heritage requirements into a hotel, dining areas and more accommodation. I spent a blissful autumn morning on a visit there last month, surrounded by mountains and vineyards, watching and sketching a team of thatchers giving the old water mill a new hat.

The skills of these men are quite awe-inspiring as they deftly turn bundles of long grass into a neat weatherproof carapace for this little whitewashed building. Unfortunately much of the mill has been neglected and vandalised over previous decades, so it's doubtful if it'll ever function as a mill again, but still a lovely feature.
I spoke to the foreman, who told me that this team comes mainly from the small town of Macassar, which has its own fascinating history. The craft of thatching has been passed down from father to son, as his father and grandfather did to him - he doesn't know how long his family has done this work, but I wouldn't be surprised if it goes back to the late 1600's, as do Macassar and the Hugenots in the Cape.





Here they were busy with 'toumaak' ...rolling and looping twine by hand, after which the bundles of grass were rhythmically tossed to the roof, where they were lined up and stitched into place with long needles. By this time I was - shamefully having watched the much harder work going on before me - exhausted from sitting in the shade and sketching and had to go in for some tea and a rest... but I checked at intervals as the roof was quickly and expertly layered, combed and knocked into shape and, with a long weekend of well deserved rest in between, finished off with a cap of cement to hold everything in place.

I sat outside again as they completed the finishing touches, and did a final sketch before they packed up and moved on to the next finely crafted job - let's hope the sons of these fathers carry on the good work for years to come.



Tuesday, December 26, 2017

And a Grey Lourie in a Plum Tree


A day late for this Johannesburg version of a Christmas tree, but hoping all who visit here had a very happy day, if you celebrated - and peace and goodwill to all!

Not a pear tree with a partridge, but the greengage tree outside my studio, which was vibrating a couple of weeks ago with all kinds of birds gorging and feasting on the not-quite-ripe-yet fruit. We still have pots of jam from last year's crop so I let them get on with it and spent a happy couple of hours watching and sketching them... The thrush thinking he's lord of the manor and trying to chase everyone else off, the barbets bright and fierce looking but quite wary of the other birds and of eyes peeping at them through the window; the little grey mousebirds with raggedy tails and punk hairdos come in cheeky flocks; my favourite bulbuls (they make such sweet, clear calls to each other, "what's for tea Gregory?") and the grey louries  - or Go-away bird - one semi-tame who comes and squawks at me outside the kitchen if there's nothing to eat and to bring out some paw-paw please.

I never used to be much into birds, it was what my mom, aunts and gran did. At last I'm mature enough to appreciate the small, precious things, some positives to these years passing ever faster by!


Friday, December 8, 2017

Radium Beer Hall & Grill



Strange to be sitting in a pub at 10 am on a Monday morning, but that's where I found myself this week, sketching in preparation for another painting in the classes I'm taking (same ones as in the Kalahari bookshop, which is still in progress, and which I should be working on right now.)

This is the Radium Beer Hall, the oldest surviving bar and grill in Johannesburg. It started as a tearoom in 1929 and doubled as a shebeen which, illegally at the time, sold "white man's" liquor to black customers. The very old bar counter was rescued from the demolition of the Ferreirastown Hotel, on which feisty trade union activist "Pick Handle Mary" Fitzgerald apparently stood to spur on striking miners. A fascinating history and great pubby atmosphere - sadly the area around it has become run down and dodgy, but I hope to go back to sketch more of the customers and musicians at one of their regular live music sessions.

 I did a couple of quick watercolour sketches of a couple at the next table - I think the guy is a manager, or works there - he was on the phone a lot and told me he was very, very busy when he came to have a look at my sketch. The girl looked deeply unhappy and the conversation became more and more heated between them, all in French so - probably just as well - I didn't understand a word. As customers started arriving for lunch the argument quietened down. I'm considering putting them in my painting, how times have changed since Pick Handle Mary was around!

Thursday, September 28, 2017

Going to the zoo, how about you?

Our first Spring sketchday was to the zoo again, where I've sketched herehere and here... You'd think I'd get tired of it, but once there I get thoroughly engrossed in trying to capture the animals, even while my heart is aching for their imprisonment. It is really the only place you can get close enough for long enough to study and draw them. I've tried in the wild and believe me, they move and disappear in seconds, even the biggest ones.
The elephants were wandering around their large enclosure and I captured them as I could - and couldn't resist including a briefly paused onlooker with remarkably similar trousers on!

Next door to the ellies was a bored and lonely looking rhino, though he seemed popular with the birds - a peacock, a rooster, plus a dozen little chirpers hung around him as he lolled around in the shade.
I wasn't sure what the pale, elegant looking antelope were in the distance - later identified by my husband as gemsbok - I haven't seen such light coloured ones before.

Lastly, after meeting the rest of our group for lunch and sketchbook chat, Leonora and I found some pelicans - one optimistically fishing in a rather filthy khaki pool - and became entranced by trying to reproduce their sculptural feathers, their nursery pastel-coloured faces and their elastic movements, and once again I thought the time at the zoo was too short, I'll have to come back another day, just for the birds.

“A wonderful bird is the Pelican.
His beak can hold more than his belly can.
He can hold in his beak
Enough food for a week!
But I'll be darned if I know how the hellican?” 

Wednesday, September 13, 2017

What a Mess!

We are lucky to live in a leafy suburb with a wonderful green space in the middle of it - the Johannesburg Botanical Gardens, fondly known as Emmarentia Dam - but boy, do we have a lot of events arranged around us - many with loudspeakers booming across the valley from 6 am onwards.
Last Sunday morning, thankfully not as early, was the Color Run, "the happiest 5K on the planet", starting and ending at a nearby school; so I took my Koh-i-Noor Magic rainbow pencil (unfortunately not the sharpener) over there and started sketching the shenanigans.
It was a hot, hot morning... why anyone would want to run through arches where kilos of coloured powders are chucked over you, sticking to your sweaty brows and limbs and no doubt getting in your eyes, nose and ears, I don't know. I was much happier perched on a small grandstand observing and drawing than down there getting colourfully doused - even so I caught a few splashes on my hat and jeans.
Is too much colour a bad thing? I preferred my simple line sketches before I filled some of the shapes in later - the colours all blended together to make nondescript dusty shades, which in fact is what most of the runners ended up looking like too - red and yellow and orange and purple and blue and green make - mud.
But the real messy sketching came when my pencil was down to the wood and I turned to my new Sailor pen, which is perfect on its own with its variable line possibilities... I got way too creative trying to get coloured powders from the event to stick to my sketch, using candle wax first and later fixative, neither of which worked, the powder fell off with the gentlest blow or shake.
But did I stop there? Oh no, I persevered with watercolour splashes, ink brushes, more spray and white crayon until it was a total shambles and those pages fit only to be glued closed together. Ah well, a lesson to keep it simple and remember my sharpener next time!

Tuesday, September 5, 2017

The Randburg Shuffle

Not my finest sketching five hours, standing up mostly and in a soft-cover sketchbook, but I was very glad to have it with me to help pass the interminable wait in the queue to get my driver's licence renewed at Randburg Licencing Centre last week. It was my fourth trip there, having been turned away on previous mornings as only 200 people per day are accepted into the line, making sure there's no chance that anyone might have to work a minute over the 3 o'clock closing time. 
 This time I made sure I got there early, was relieved to have No.146 scribbled onto my application form, resigned myself to a long wait and pulled out my sketchbook. I noted times as I sketched in the upper left corners...
8:45 - outside the magical doorway to legal driving.
9:30 - just inside the entrance and peering through the window at the expectant faces outside
10:15 - we'd inched around the corner and a fortunate few grabbed a seat on the windowsill
10:45 - shuffled round to the back of the reception desk, where there was a bit of a show to watch. First a group who had successfully completed their applications or collections were locked into the building while a cash-in-transit vehicle collected the previous day's takings; then a series of hopefuls came to ask at the desk if they could have an application form and upon hearing the answer, responded in various outraged/desperate/crestfallen ways. [Note to self: Never throw a hissy wobbly wailing fit before this desk, it provides huge entertainment to the bored audience in the dingy background and has no effect.]
11:00 Shuffle, shuffle, shuffle, I reached the bottom of the stairway, a mere 10 metres (I would think) from the front door
11:30 Halfway up. What would we do without our phones?
11:45 Up on the first floor and looking down...
12:30 At last a row of seats that we had to shift up on every few minutes...within tantalising sight of the final stage - the queue for the Cashiers. After this seat-shifting came The Room, the utopia of activity, technology and red tape, where we submitted our many documents, had eye tests, biometrics and fingerprints (of which I have none, apparently) taken - where I paid close attention and stopped sketching for fear I got sent to the back of the queue for some misdemeanor.
By 1:45 pm I was out, blinking in the sunshine, good for another five years before I have to do it all over again.

Friday, July 21, 2017

A peek at the Faraday Muti Market

Oh my goodness, blogging has got so left behind in the whirl of this fleeting year, I don't know where to start again...or whether...but I remind myself that if I don't record here some of what I've done/drawn/painted, chances are it'll all get lost in the jumble of events in my mind, and I'll be wondering what on earth I did with my life!
I'm not going to try and do a chronological catch-up, too much work and I have to spend less time on the computer - this sketch was done in May at one of our USk 10x10 workshops, 'Through the Windows' led by Lisa Martens, from Joziburg Lane (now called Hangout Jozi) where I did these sketches, only out of different windows, and looking down.


I felt like a rather illicit voyeur as I squinted down at a section of the Faraday Muti Market, which I've never had the courage to venture into myself. A traditional African healer's market, or hospital, it has animal - both common and highly endangered - and herbal products on display and traditional doctors that prescribe potions and lotions of herbs, spices, bones, flesh and more to cure every ailment or life problem. If you have a strong stomach you can read blogger 2Summers personal account, or google the market and find out more. Fortunately the area I could see below me consisted mainly of grains, herbs or husks laid out on mats in the sun and the 'bush meat' was hidden from my squeamish birds-eye view. People came and went to consult the sangomas and traditional healers for age-old remedies and spiritual and supernatural help; a Don Quixote-like figure poked and slashed at covered piles of who-knows-what with his stick as sellers sat calmly watching - and the 21st century rushed on past on the M2 highway above.

Wednesday, February 8, 2017

Chinese New Year at Nan Hua


The Worldwide Sketchcrawl where urban sketchers around the world planned to sketch their city's Chinese New Year celebrations was on Saturday 28 January. Johannesburg had at least three CNY celebrations in different venues - one that night in 'Old Chinatown' in Commissioner St in the city; one the following day at the Nan Hua Buddhist Temple near a town called Bronkhorstspruit, about an hour and a half's drive from Joburg - the one we decided to go to as a place we'd always wanted to visit; and another a week later in 'New Chinatown' in Cyrildene, east of the city. So we missed the official Crawl, but our spirit was with everybody (and as someone said, it's still the 28th somewhere!)


Our carload of five sketchers arrived just too late for the opening ceremony with Dancing Dragon, firecrackers, and other spectacles - I thought there'd be more but that was it. We gathered at the entrance - an encouragingly large group of us - just in time to see the dragon being folded away into its trailer. The first pen I grabbed out my bag flew to catch those few moments before it disappeared, and I think it's my favourite sketch of the day!

The many temples and shrines around the arena were beautiful subjects, and I had a go, but attempting the intricacies of those was going to take too long, so I tried some sketching shorthand with squiggly lines and loose washes. I wanted to capture some of the people - two sweet little girls in their New Year best, their big brother escaped before I got him on paper.


There were loads of food stalls lining the passages around the centre courtyard, and even more people trying to buy it... I didn't try hauling out a sketchbook and pen in the crush, but managed to get hold of a spring roll and settled to sketch one of the picnic groups with greasy fingers.

The Wishing Tree, where you have your name inscribed in Chinese calligraphy on a ribbon with a medallion attached, and throw it up into the tree while you make a wish. If the ribbon sticks there, your wish will come true during this Year of the Red Rooster. I didn't risk it! Nan Hua is a huge place and apparently we missed lots more interesting sights and events, but that was about all I could manage in the heat and crowds before the long drive home.

Friday, January 27, 2017

Poplars and Pétanque


 Well, a very Happy Not-so-New Year to everybody... I have badly neglected my blog as I've become slightly enamoured with Instagram (it's so quick, and instant!) as well as really busy with the usual end-of-year festivities and making plans for the series of 10 years x 10 classes Urban Sketching workshops that we in Joburg have decided to take part in. (If anyone reading this is interested in signing up, click on the link and do it. We start our classes on the 25 March and spaces are limited...you can also email me at the address in my sidebar). And we made another trip to Franschhoek, where I managed to do quite a lot of sketching while my husband, Bruce, was working hard.

It was blissful to do some relaxed watercolouring from the shady stoop of one of the beautiful Forest Cottages that we stayed in at La Cotte Farm. Gardeners were taking a lunch break, with ubiquitous cellphones, from digging out undergrowth from the poplar grove on a hot, hot day.

On the right, done earlier in Johannesburg, a strongly back-lit man sketched at the airport.

On Saturday mornings in summer, Franschhoek has its local market with food, wine, music, lots of stalls to browse and a regular Boules match, just as in real France. A vintageTriumph pulled right up to the cleared patch where the game takes place and a very handsome, cool guy (far right), with two young friends, got out and joined the game. Every now and then an oblivious person strolled across the court, taken with good humour by the otherwise serious pétanque players.

One of the boules participants got stranded on the recto side of a double-page spread - from our parked car the next day I filled the empty space (I was worried I'd run out of pages) with figures outside Pick'n Pay supermarket where someone was selling boerewors (farmer's sausage) rolls at a great rate - hardly any time to sketch his customers so fast was he.



Supper one evening, again, at the Station Pub, where I've sketched before and am now warmly welcomed by the two waitresses I drew, whenever they see me (with good, reasonable food and just down the road, we go quite often - plus, as I've said, Bruce's grandfather was Stationmaster there about a century ago, so we feel quite at home!) This visit had a lively, noisy crowd that I could have sketched all night without them noticing. Revellers coming and going and the two on the right engrossed in long and earnest conversation.

Lastly, a very quick sketch of one of the angel cleaning ladies who come in while you pop out and whip around your cottage, leaving it sparkling for you to come back to and start all your eating, drinking and messing up again. I could get used to that!

Tuesday, November 8, 2016

A Thursday Morning in Bertrams




The sketchers group has been getting a lot of invitations lately - as Joburg warms up (and then some!) and events are planned before the rush for the coast in December.

One was to sketch some Street Theatre in the little, poverty stricken suburb of Bertrams just south of the city. We decided to go to a rehearsal on a Thursday morning, but sadly it had been rescheduled without our knowledge - so we found ourselves banging on an unresponsive corrugated iron gate in an famously lawless area. We recklessly decided to unfold our chairs on a corner and start drawing in spite of warnings by concerned individuals to keep our car doors locked etc etc.

As is usually the case when we venture out into Joburg's vastly varied streets, we soon felt part of the furniture as locals passed us by, some stopping to look and chat about drawing, some taking no notice; a father ushering his two sweet little boys to say hello to the gogos (grandmothers); an undoubted illicit exchange between a young chap and a passing mini-bus taxi driver; a woman coming to tell us her story of being kicked out of the nearby home for vulnerable people and being taken in by her kind friend, who came to join the conversation; men changing their car oil and pouring the old stuff into the empty plot next to us (ulp! - sometimes you have to just keep your mouth shut!) Only one very interested look into my sketching bag...luckily he wasn't interested in pens and paint. In the distance a corner café was bustling with activity, the peeling bark of the plane trees leading to it reflecting the surfaces of the decaying but still beautiful buildings.

It felt like street theatre in a way, even without the actors.

[And hooray, my blog list is back!]

Monday, September 26, 2016

Coffee in Rosebank


Oh - just discovered a draft I forgot to post... just some back views of people choosing their refreshments at Exclusive Books coffeeshop in Rosebank while I indulged in coffee and cheesecake, and some guerrilla sketching. I look out for people with interesting clothes or hats or hairdos  - makes the sketches a bit livelier!

Coffee in Rosebank


Oh - this was a draft I forgot to post... just some back views of people choosing their refreshments at Exclusive Books coffeeshop in Rosebank while I indulged in coffee and cheesecake, and some guerrilla sketching.

Monday, August 22, 2016

Printing and sketching at WAM



I'm sorry my posting is so erratic - I have been painting, but nothing I feel quite OK with showing anyone. Oil painting feels a bit like wading through mud right now... hoping it will change into a flowing stream soon, I'll keep trying.

It was a busy sketching weekend though, with a friend's wedding on Friday. I may post those sketches later as they need a bit of work. I've sketched at a few now, and it's hard to convey all the colour, ceremony, movement and emotional importance of weddings on the spot. I always hope for much better results than I get and I would like to give them something worth keeping!

On Saturday our group went to the Wits Art Museum where a Walter Battiss exhibition is on, and a children's printmaking workshop. I had already had a good look at the exhibition a couple of weeks ago, so I concentrated on the oblivious back views of the people looking at the art. We went to the coffee shop to find the children's workshop in full swing. There were a lot more kids and adults than I could fit into my sketch but it was great to see a museum space being used to stimulate children into actually making art themselves instead of being passive (and often bored) onlookers. The tall photographer did double duty as one of the few who could reach the drying lines.

Tuesday, June 28, 2016

Greek Day at Rotary Arts Festival



 I cannot believe it's almost July! I have so much I should be doing but finding it hard to knuckle down and do any of it, including updating my blog (doggedly keeping it going though, as proof that I actually DO do something every now and then).

These sketches from a few weeks ago at the annual Rotary Arts Festival... I see this time last year I was thinking of having an Urban Sketchers display or stand there next time, which never happened.
We had fun though on the Greek-themed day, sketching the kids from the Saheti School playing bouzoukis, singing and dancing, as well as catching other scenes from around the shopping centre - over coffee in the bookshop, a life drawing session from the Figures & Form group, and a lone pianist who I hope realised his beautiful playing was appreciated even if he didn't draw the crowds. I stuck to simple contour line drawing after a brief attempt to take my watercolours out in a shifting, shuffling situation!