Basket Sellers

I popped out to collect my contact lenses from my optometrist and got a parking place right in front of the basket ladies on the pavement outside her rooms. Too good an opportunity to miss sketching them unaware!

Finishing things

Over the last few months, on and off, I've been spending time in the studio determined to finish a whole bunch of half-done paintings - for better or for worse!  

These you may (or well may not) recognise from a previous post on Greg Kerr's Objets Trouvé workshop in 2014. Below are some of the stages these 60 x 60 cm paintings have gone through, some rather tortuously, via a series of processes. Splashing, rolling and printing paint onto the canvases with an underlying prepared motif  - mine our birdbath - which had to consist of organic and geometric forms. Interventions followed of adding textures, patterns and elements - some prescribed by Greg (each painting had an element taken from someone else in the class's paintings, to explain some strange additions... the crystal, the water tower, the child swimming, the sardine tin) as we worked through the course, some added tentatively or recklessly by me as I eventually took the plunge and tried to leave dependency on the teacher behind me.

Often I wished I could backtrack to a previous stage of simplicity or clarity, and in the one with the child swimming (I changed my classmate's child into my daughter) I was at the point of scrapping the whole thing but decided that more might be more and carried on adding flowers and fishes and glazes... it may still be scrapped...or cropped down to just the little girl swimming...or I could add the kitchen sink...

With changes and a move from Joburg sometime in the not too distant future, I have to finish and clear out so much stuff I don't know where to start. Painting is the relatively easy bit, I have to get them out of here!

Killarney Style

 A lovely day to go sketching, in the lovely suburb of Killarney on Saturday. Although it's known as 'flatland' because it consists almost entirely of blocks of flats or apartments, many of them are historic Art Deco buildings, the streets are well lined with lush green trees and the rich variety of locals strolling the streets are friendly and welcoming.
I sat at the gate of the park where we sketched the suburb's Spring Day back in 2014 with Whitehall Court across the road and tried to capture the shady elegance of its pillars and balconies. There was a constant coming and going of visitors and residents, all infused with an easy-going, relaxed rhythm. So many stopped to chat, a real vibe of a vibrant and interactive community where everyone seemed to know each other.

The venue was suggested by Fiver Löcker, visiting South Africa again and staying this time in Killarney. She invited us all up to her flat for tea and cake, and of course to sketch the view from her balcony - a huge expanse of sky (watching lightning storms there must be spectacular!) with a broad flat vista of the Northern suburbs. I drew a small section, leaving out the big beautiful sky - I need lessons in cloud painting as well as much better paper - and picked out the ever present cranes, you wouldn't think we were in a recession with the constant building operations going on.
Every now and then I threw down my cityscape for my other sketchbook as people walked past to try and snatch impressions of the colour and movement below. They do all seem to be women, but they are the most interesting, colourful and varied to sketch aren't they!?

Newtown Fridays

I've re-instated the 'First Friday in Newtown' sketch date for our Joburg Sketchers group after it fizzled out rather apathetically last year. I admit to feeling a little apprehensive before these gatherings as we stick out like strange pale objects in the bustling, noisy, lively African space - even though we've only been ignored at worst (apart from one vendor once, upset at me drawing his stall) and joyfully welcomed at best. This time we had some new faces join the regulars - a few followers of our Facebook page and newsletter who at last took the plunge into the city, visiting sketcher Fiver from Brighton, and a whole fresh bunch of young men and women from a nearby architect's studio who made me feel optimistic about the future of urban sketching in Joburg, if they only keep on coming!

I started sketching the lovely Museum Africa building, sadly deteriorating again after a new lease of life a few years ago. Apparently it's down to its last curator who is leaving, or has left after trying gamely to keep the collection going and safe with no resources or help. The wooden heads which line the streets of Newtown are also showing signs of neglect and vandalism; a ragged Rasta man scratching in a bag of rubbish for scraps next to me who it felt too intrusive to draw...
But back to happier observations - a truck driver pulled up alongside and asked what I was doing... "But this is great!", other passers by stopped to look, chat and laugh with the sketchers, the young architect's group was enthusiastic and once again we're encouraged to do this again - once you're there, it's always, always worthwhile.

SketchCrawl in Melville

...And crawling to non-existent internet speeds here, so an overdue post about the 50th Worldwide Sketchcrawl on 23 January. We met in Melville, a suburb we've sketched quite often because of its quaint shops and bohemian population. 

I started at the corner clothes shop where some sketchers were doing a bit more catching up than sketching for a while; then popped into the tattoo parlour who surprised me with caricatures by one of the artists in return for my efforts; indulged in a delicious iced coffee at the IT café while sketching the restaurant opposite, with pavement bead artist traders on the corner; then we all ended up at 27 Boxes, which I've sketched before but don't seem to have posted on this blog... it is up on Urban Sketchers here.
We were lucky enough to have our wrap-up meeting coincide with a young jazz band's performance at the little outdoor arena, giving us more sketching fodder as well as a treat for the ears - a very talented group, some of whom were just off to Cape Town to start on their musical studies and careers.

Even though a few of our regular Joburg Sketchers couldn't make it, so great to have a good turnout of ten! Yay!

Back to the Zoo

Our first Joburg Sketchers date of the year, to the zoo - not very original, but always lots to draw. Seeing the animals in restricted spaces like this is sad, but at the rate some of them are being taken out it may be the only place we'll be able to. 

 I hung around near the gate and the flamingos with Wendy to see if any other sketchers would arrive, not knowing that there were two other temporary entrances while the main one is being worked on. I loved these funny pink birds but the fence around them is high so you have to stand up the whole time... felt a bit flamingo-ish myself standing on one leg then the other, and capturing their endlessly coiling and uncoiling necks impossible.

We eventually found Leonora and John and joined them at the rhino pen. I sketched the sketchers and quickies of the rhinos - no, they weren't all on the same side of the fence - a bit of artistic licence to fit everybody in.

There was a long line of interesting back views (people) at the lion enclosure, which drifted off as I started sketching them, so I tried the lionesses, including some beautiful rare white ones - the males were hiding. Some rather weird and scribbly renditions but they didn't keep still, not for a moment! Again, there is a fence - a faulty electric one that clicked incessantly which must surely have miffed the animals and made them so restless. I'd like to go back on a quiet week day, take proper watercolour paper and brushes and try the birds and lions again.

Last stop the restaurant where we found a last stray sketcher, Lisa, who had been communing with the apes. I discovered I was missing my brand new dagger brush (see previous post) so trudged back to the lions, eyes fixed on the ground. It was there, under the tree where I'd been sitting - whew! A last quick sketch - some children who once again moved off before I'd got the little sister in, a chicken who fancied our pizza, some odd buildings - lunch, a chat and home!

Flighty, but Fun

I've been playing with some presents I bought myself on holiday - a few Daniel Smith watercolours from the Italian Artshop which stocks this brand that I've read about and wanted for years, not least because of the generous size tubes they come in...makes you feel a little less Scrooge-like about squeezing a dollop onto your palette with our poor Rand diving ever deeper into a hole; and a very reasonably priced Black Silver Dynasty 'dagger' shaped brush from Artsauce in Observatory, an artist-friendly shop in both price and helpful advice. I love the shapes and marks you can make with this brush, from broad flat stripes to pointy or swirly leaf shapes, to fine, sharp lines, it doesn't hold a lot of paint though so you have to dip often.


I used DS Phthalo Blue, Naples Yellow and Deep Scarlet in the top sketch of my son sleeping on the couch and on the strip underneath him - trying to see how much of a range I could get with just those. I also bought Moonglow, a lovely purplish granulating shade and Pyrrol Orange which I'm now wondering why... I did like it on my test strips hanging on the line in my studio. A transparent, glowing orange it could come in useful when painting... sunlit nasturtiums perhaps? I don't really like to fuss about colours and have actually been thinking I should trim my palette down as it's too confusing, and unnecessary to have so many. Sigh, ah well.

Hanging on a line in my (messy) studio here are offcuts of bits of watercolour paper that I've kept - very useful for playing around on and happy moodling!

Has anyone else caught onto the 'Word of the year' WOTY phenomenon? Suddenly it seems to be everywhere, with several creative mentorship sites promoting it as a creative spur or focus. I think I've decided on mine... FUN... which seems rather trivial, flighty and frivolous, but for some time I've been feeling a tad anxious and weighed down by what should or shouldn't be done and where I ought, or ought not to be artistically and otherwise, and the state of the nation, and that's the word that has jumped out at me from various sources. So I think I'll take it and see where it leads to. Would love to know yours if you have one!