Monday, August 22, 2016
Printing and sketching at WAM
I'm sorry my posting is so erratic - I have been painting, but nothing I feel quite OK with showing anyone. Oil painting feels a bit like wading through mud right now... hoping it will change into a flowing stream soon, I'll keep trying.
It was a busy sketching weekend though, with a friend's wedding on Friday. I may post those sketches later as they need a bit of work. I've sketched at a few now, and it's hard to convey all the colour, ceremony, movement and emotional importance of weddings on the spot. I always hope for much better results than I get and I would like to give them something worth keeping!
On Saturday our group went to the Wits Art Museum where a Walter Battiss exhibition is on, and a children's printmaking workshop. I had already had a good look at the exhibition a couple of weeks ago, so I concentrated on the oblivious back views of the people looking at the art. We went to the coffee shop to find the children's workshop in full swing. There were a lot more kids and adults than I could fit into my sketch but it was great to see a museum space being used to stimulate children into actually making art themselves instead of being passive (and often bored) onlookers. The tall photographer did double duty as one of the few who could reach the drying lines.
Monday, August 8, 2016
Tai Chi Sketching
Just a lot of little sketches from the tai chi class I've been taking since the beginning of the year today... My teacher Masako kindly allowed our sketching group to sit in on a lesson, and a masterclass in ryuku kobujutsu (using weaponry) she gave to a student practicing for his black belt. I foolishly thought by drawing the exercises I'd be able to remember them in future classes (my brain just won't, although Masako says my body eventually will!), but although it looks slow and meditative, I couldn't keep up with the constant seamless movements.
The first two sketch pages were warming up - the tai chi bodies and my sketching fingers both - and I tried out various pens and brushpens before settling on my trusty Pentel brushpen, which made appropriately calligraphic marks.
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