10x10 Workshop 6: Watching, waiting, walking - People of Gandhi Square

I'm finally getting down to a report of the second workshop I presented in the series to commemorate the 10th anniversary of Urban Sketchers, on the 29th of April. (I missed out on workshops 3, 4 and 5 presented by Anni Wakerley and Lisa Martens, having been away from Joburg).

Photo by Leonora Venter

My focus was on sketching the people, and Gandhi Square being a main bus terminal in the city, was hoping for fairly stationary subjects waiting or slowly moving around there. We met at Joziburg Lane, which is in easy walking distance of Gandhi Square. Once again we warmed up with quick portraits of each other, but this time doing 'blind contour' drawings without looking down at the page - a little cheating went on but it produced lots of laughter and surprising, lively results.

Photo by Leonora Venter

After a short explanation and demo of 'contact points' and relating sections of the face or figure to each other and to the background - which in this case was to be minimal - and encouragement to just go for it - not to worry about results but to enjoy letting loose with line, we set off down to the square.




Of course such a large expanse of public space is overwhelming and intimidating to begin with, but it's surprising how quickly one feels right at home, once you've chosen a viewpoint and a perch, and concentrating on the task at hand helps to push curious onlookers into soft focus.

Photographs by Liesl Percy Lancaster of House of Lancaster 

 I was thrilled with the results (not all shown here) and varied attempts to capture figures who really never do stay still for more than a second or two. The act of looking hard and trying to put down some essence of them incrementally improves the ability to do so, most especially when you do it regularly and don't let the efforts of the previous day grow dim in the conscious and muscle memory. As I try to remind myself!

Here are are images from my handout booklet for the session. It covers rather a wide range of figure-sketching tips and approaches as my group consisted of a large range of sketching experience and skills.

 We also took the opportunity to record Urban Sketchers Johannesburg's happy 10th birthday message to Gabi Campanario and USk at this gathering, which was shown to him as a big surprise and tribute at the Symposium in Chicago in July. We're at 1:22 minutes in...

10x10 Workshops 1 & 2: Tablescapes & Conversations; and Histories, Relics & Collections of Sketches

We had the first of our series of 10x10 workshops on Saturday here in Johannesburg, joining the celebrations around the world of the 10th anniversary of Urban Sketchers. I started off the three 'Little Stories' classes in the pleasant and relaxed setting of the Second Cup restaurant, with simple concepts of shape, space, focus and drawing faces. Quite a lot to get through... I knew some of our participants hadn't sketched at all, or not for a long time, but wanted there to be enough to work on for the regular sketchers to build onto their skills.

This was my handout booklet to remind everyone what we covered - ellipses, basic shapes, ways to create an illusion of space and focus, and faces - pointing to artists such as Toulouse-Lautrec and Daumier - and USker Melanie Reim - for expression and character.

To try and get over inhibitions about sketching their companions, we had a quick 'Portrait Party' with one side of the table sketching the other, with a timer on for just two minutes, and then swopping over for revenge! 

 It was satisfying, and a relief - nobody seemed bored or intimidated - to see the concentration around the table as everyone came to grips with getting all the elements in fore- middle- and background, onto a page.

I did a quick demo of making loose watercolour shapes and then drawing over them with line, using the flowers on the table, and suddenly we had a lot of flower studies in between the tablescapes, but they made for a colourful final display. The Urban Sketchers Johannesburg rubber stamp caused a lot of excitement, the highlight ,apparently, for some!

And it was over...a super group of enthusiastic partakers and really wonderful results... all my prepping and unnecessary worrying worthwhile, thanks everyone!

Histories, Relics & Collections of Sketches

Our second workshop was held on Wednesday - yesterday - at Lindfield House, a Victorian home and museum, led by excellent regular Joburg Sketcher Leonora Venter.

The session started with a tour of the many rooms of the museum by its curator and co-founder Katharine Love - her grandmother and mother started the collection and she has maintained and built on it. She is a fount of knowledge of Victorian customs and antiquities, but we'll have to go another time to hear all the stories, there was sketching to be done..

After the sketchers had selected which items interested them and they wanted to feature, Leonora gave an explanation and demo of the importance of making thumbnails to plan your page, trying different alternatives and deciding which would be the best one for your chosen subject matter.

Once everyone had made their thumbnails, they planned out a full or double page spread with light pencil shapes. Leonora then explained how to work out the boundaries of each object with light 'markers' and to measure ratios, proportions and angles within these shapes, working from bigger to smaller, and looking at positive and negative shapes.

Then came the work - and fun - of filling in the details and building up contrast using darker pencil lines, pen or wash, before going on to the other drawings in their 'collection', adding text if they wanted to and had time. There are so many Victorian gadgets, curiosities, furnishings and objets d'art in this amazing old house it would take a lifetime to sketch them all.

Leonora's lovely demonstration sketch of her collected items on a practice run a few weeks before - and the sketchbook display on the lawn afterwards.

Something with Bristles

So much for posting every day - just keeping up with drawing is about all I can manage. Day 6's EDM challenge 'something with bristles' immediately made me think of the drawing into ink washes with bleach method that I first tried here. Great for fine lines and scrubby marks. I was asked to post a tutorial by a couple of people on the Facebook page, so here goes:

Materials:

• Black water-soluble fountain pen ink. Not sure if Parker Quink is available everywhere, it's a standard stationery item here. (the flower on the top is mine :)) 
• Ordinary household bleach. I wasn't aware of how bad it is for you till someone mentioned it in the comments and I looked it up. Wear gloves and a mask, open the windows and doors!
• Water for rinsing and diluting the ink and bleach - a small nozzled bottle is very useful - and small containers to hold the solutions.
• Old or non-precious brushes. I think bleach would eat any natural bristle
• Bamboo pens or sticks to draw with - likewise bleach would destroy a metal pen nib
• Watercolour or drawing paper - different types will give different results. I masked the edges with tape.
• Things to add texture - sponges, toothbrush, paper towel.

Prepare your paper with ink washes. Vary the dilutions - with Quink you'll see the black separate in places into blue and orangey pigments.

 Add textures if you like, flick on ink or bleach solution, dab with paper towel or a sponge - experiment. Allow to dry - or if you start working into the wash while still damp it will give softer edges.

 Dilute a little bleach with water in a small container. It seems to work just as well as full strength. Have your reference material or photo at the ready.

 I started by bleaching out the negative shapes in my leaf design with an old paintbrush

 Adding lines with a bamboo pen - if you dilute the bleach more you can get less stark lines

 and some pattern or cross hatching

 If you like you can go back in with ink washes, lines and splashes

Not my most successful result, but the more you play around, the more options you'll come up with, and are sure to encounter some happy accidents along the way. I can't vouch for the archival qualities of this method - I've heard that the paper will eventually deteriorate but so far my earlier drawings have survived. Have fun!